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Who’s Afraid Of Debra Batton?

Why Debra Batton’s “Dive of Death” Is the Leap We’ve All Been Waiting For

2 min read

This week, as news broke of 65-year-old Debra Batton resurrecting her death-defying “Dive of Death” stunt, I found myself fist-pumping over my morning tea.

Not just because I’m dazzled by the athleticism or courage it takes to triple-somersault off a high platform (though, let’s be honest—that’s jaw-dropping at any age), but because her story beautifully, boldly smashes the ceiling society still quietly places above women over 50.

If you’re not familiar with her, Debra Batton is an Australian performer, director, and choreographer with a rich history in physical theatre, circus, and feminist performance art. She rose to fame in the 1980s as a core member of Circus Oz, known globally for its irreverent, socially conscious take on circus arts. Batton was celebrated for her daring aerial acts and fearless presence on stage. Over the decades, she’s also shaped the next generation of artists as a director and mentor—continually pushing boundaries and challenging what women, especially older women, are “allowed” to do in the spotlight.

And now, she’s back in the ring—literally—reviving her iconic “Dive of Death” for the first time since 1986 at the Melbourne International Comedy Festival. It’s not just a comeback; it’s a comeback with a capital C.

Let’s take a moment to consider what Batton is doing: she’s not reinventing herself in her sixties, she’s reclaiming something she already owned—on her own terms. That distinction matters. Women over 50 are so often told that reinvention means letting go of who we were in favor of something softer, safer, smaller. But Debra’s dive says the opposite: you can be older, stronger, wiser, and still pursue audacity, adrenaline, and artistry. Not despite your age—but because of it.

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Her performance isn’t just an act in a circus. It’s a metaphorical cannonball into a conversation many of us have been quietly having: “Is it too late for me to start something bold again?” Whether it’s launching a business, traveling solo, falling in love, or yes—swinging upside down 30 feet in the air—Batton reminds us that the expiration date on bravery is a myth.

Let’s not forget, though, that Debra’s story also shines a light on the quiet ageism that still lingers, particularly toward women. A man her age doing the same stunt might be called “legendary” or “vintage cool.” For women? It’s often framed as unusual, shocking, or even reckless. Debra turns those labels into compliments. Unusual? Absolutely. Shocking? In the best way possible. Reckless? Only if you consider living fully a dangerous act.

In my role as editor of a magazine dedicated to the power, style, and complexity of women 50 and beyond, I’ve seen a shift coming. Women are increasingly refusing to shrink with age—they’re expanding, flourishing, and finding the kind of freedom they were once told belonged only to youth.

So here’s to Debra Batton. To every woman watching her and thinking, “Maybe it’s time for my own leap.” And to a world that is slowly, finally, learning that women over 50 aren’t slowing down—they’re just warming up.

As for me? I’m ready to rewrite the rules… just maybe not ready to somersault off a platform. Yet.

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